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Lynda Enhancing Underwater Photos with Photoshop
  • MP4049 Developing a once-in-a-lifetime shark photo.mp433.01MB
  • MP4016 Correcting GoPro lens distortion in Camera Raw.mp432.84MB
  • MP4023 Painting away an unwanted diver.mp432.66MB
  • MP4044 Editing a seamlessly looping six-second movie.mp432.02MB
  • MP4017 Reining in (and rebuilding) hot highlights.mp431.25MB
  • MP4045 Color balancing and sharpening the movie.mp431.16MB
  • MP4018 Enhancing the fish`s dratic eye.mp430.88MB
  • MP4027 Enhancing a movie with the Camera Raw filter.mp429.91MB
  • MP4010 Bringing out color and beauty in Camera Raw.mp429.35MB
  • MP4038 Developing multiple ocuses at a time.mp429.13MB
  • MP4012 oothing edges on a channel-by-channel basis.mp428.50MB
  • MP4040 Merging two photos into one Facebook-friendly ige.mp428.15MB
  • MP4043 First we develop a still fr< x> ame.mp427.87MB
  • MP4020 Correcting color tone and distortion.mp427.80MB
  • MP4015 Recording the Auto Levels trick as an action.mp427.79MB
  • MP4009 Pernently (and fearlessly) upsampling an image.mp427.53MB
  • MP4001 Photoshop the star of the undersea world.mp426.74MB
  • MP4057 Aniting a ti< x> tle and speeding up the render.mp426.73MB
  • MP4034 The best way to sepia-tone a photograph.mp426.69MB
  • MP4035 Healing away unwanted elements.mp426.30MB
  • MP4029 Developing a turtle in flight.mp426.28MB
  • MP4052 Zooming in and out of a movie in post.mp425.67MB
  • MP4059 Adjusting levels one channel at a time.mp425.63MB
  • MP4014 The quick-and-dirty fix - Auto Levels and Vibrance.mp425.48MB
  • MP4046 Exporting a seamlessly looping anited GIF.mp424.91MB
  • MP4022 Selecting and enhancing a ooth detail.mp424.25MB
  • MP4006 Enhancing clarity with the High Pass filter.mp423.63MB
  • MP4030 Correcting color balance on a color-by-color basis.mp423.27MB
  • MP4005 Turning the ocean a true Caribbean blue.mp423.25MB
  • MP4047 Preparing a movie to post on Vine.mp423.13MB
  • MP4051 Rebuilding missing details with Content-Aware.mp423.05MB
  • MP4058 Zooming and framing a cro shot.mp422.86MB
  • MP4036 Content-aware oothing with Color Adaptation.mp422.84MB
  • MP4054 Sweetening the shark movie in Camera Raw.mp422.73MB
  • MP4055 Adding a soundtrack and a fade to black.mp422.49MB
  • MP4033 Developing a black-and-white turtle.mp421.67MB
  • MP4002 Gear that I used - The SeaLife DC1400 and the GoPro HERO4 Black.mp421.16MB
  • MP4061 Simulating depth of field with Gaussian Blur.mp420.84MB
  • MP4007 Cropping an ige that can`t be harmed.mp420.77MB
  • MP4041 Adding black borders and white rgins.mp420.72MB
  • MP4039 Combining High Pass with Linear Light.mp419.82MB
  • MP4053 Panning and pivoting with Transform keyfr< x> ames.mp418.43MB
  • MP4056 Adding ti< x> tles to your movie.mp418.31MB
  • MP4060 oothing an oversharp ige with High Pass.mp418.09MB
  • MP4003 Selecting a fr< x> ame from a GoPro movie.mp418.08MB
  • MP4021 Cropping in Photoshop not Camera Raw.mp417.87MB
  • MP4011 Sharpening a moving target with Shake Reduction.mp417.55MB
  • MP4008 Selecting the best fr< x> ame of a fish in motion.mp417.02MB
  • MP4031 Bringing out the detail in a turtle`s eye.mp417.00MB
  • MP4025 Aniting the position of a cropped movie.mp416.39MB
  • MP4062 Four tips for underwater photography.mp416.15MB
  • MP4032 Working from the last-applied settings.mp414.21MB
  • MP4004 Correcting contrast with the Overlay blend mode.mp413.37MB
  • MP4024 Opening and cropping a movie in Photoshop.mp410.77MB
  • MP4026 Rendering the first edit of your movie.mp410.28MB
  • MP4050 Cropping straightening and centering the shark.mp47.32MB
  • MP4013 Parrotfish - The colorful keepers of the coral.mp46.11MB
  • MP4042 Don`t play with the eels!.mp44.86MB
  • MP4048 How a shark-dive works.mp43.84MB
  • MP4037 Night of the invertebrates.mp42.61MB
  • MP4019 The fish to end all fish.mp42.33MB
  • MP4028 The most gical reptile of all.mp41.82MB
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